QUOTE(momonthemove @ Jun 18 2007, 06:24 PM) [snapback]27537[/snapback]
and we all know that Chris's set could never be "overlong." I was there, and it could have gone on much longer for my taste!
MomOnTheMove,
I meant to comment on that part of the review -- "overlong"? Chris' shows are NEVER too long and often too short. Besides, the show was supposed to be co-headliners, not Chris doing an "opening set", to quote that misinformed reviewer.
SapphireGirl,
Thanks for the photos!
I came across two more reviews of the show at the Tweeter Centre. For the most part, I am citing only the Chris parts but have also listed the links to the entire reviews. It's interesting to see how different people see the same show.Worcester Telegram & Gazette Tuesday, June 19, 2007
Isaak-Nicks hard act to tophttp://www.telegram.com/article/20070619/N...&source=rssMUSIC REVIEW
By Craig S. Semon TELEGRAM & GAZETTE STAFF
MANSFIELD— The inspired pairing of Chris Isaak and Stevie Nicks, playing Sunday night at the Tweeter Center,
proved to be a double-bill that will be hard to beat this year and years to come.
When it comes to being the undisputed San Francisco treat, Isaak gave Rice-A-Roni a run for its money and left the crowd wanting more during his 70-minute opening set.
With his seemingly ageless good looks and his incomparable Roy Orbison-meets-Elvis voice, the 50-year-old rockabilly crooner warmed up the crowd with a series of slow-burn heartbreakers, including “Lonely with a Broken Heart” and “Let Me Down Easy.”
Wearing a mustard colored suit with rhinestone trim that only he could get away with, Isaak went straight into the cheap seats for “Return to Me.” After a brief return to the stage, Isaak went into the audience again, and had his sweat soaked faced being slobbered on by some of his adoring female fans during “Speak of the Devil.”
Isaak’s set really started cooking midway with his haunting classic, “Wicked Game,” in which the artist unleashed his spine-tingling falsetto that proved that he was much more than just a silly man in a funny suit.
There was nothing cheap or gimmicky about Isaak’s crowd-pleasing cover of Cheap Trick’s “I Want You to Want Me,” which was made even more memorable with a walk-on appearance from Stevie Nicks’ guitarist and veteran axe-man Waddy Wachtel.
Prefacing with “high notes are a sign of masculinity,” Isaak sounded like he was channeling the spirit of the late, great Roy Orbison on his cover of “Only the Lonely.” During a crowd-pleasing “Baby, Did a Bad, Bad Thing,” Isaak broke into a masterful rendition of Elvis’ “Don’t Be Cruel,” before revving up with the set’s closer, “Gone Ridin’.”
Wearing a suit covered with little mirrors, Isaak was transformed into a hip-swiveling, human disco ball during his encore. With reflecting rays of light shooting out in the audience and star power shooting out into the stratosphere, Isaak crooned his “Heartbreak Hotel” equivalent “Blue Hotel” and worked in a different kind of blue as he led a bevy of enthusiastic females onstage for a rockabilly bump and grind, “Bonnie B.”
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Boston GlobeTuesday, June 19, 2007
http://www.boston.com/news/globe/living/ar...der_edged_rock/Nicks charms and twirls through harder-edged rockBy Sarah Rodman, Globe Staff | June 19, 2007
What do Stevie Nicks and Chris Isaak have in common?
"Besides a record label and a onetime appearance by the erstwhile Fleetwood Mac chanteuse on Isaak's late, great eponymous Showtime series, not much it turns out.
There certainly appeared to be little fan base overlap for the night bird and the retro rocker Sunday night at the Tweeter Center. Judging by Nicks's rapturous reception, most of the 1/3 capacity crowd -- likely in part because the top ticket cost $125 -- was there to see the female half of this odd pairing.
Although the 59-year-old lost her high notes long ago, Nicks's familiar rasp was in strong form as she twirled and beguiled through a nearly two-hour performance, ably supported by her stalwart trio of female back up vocalists.....
The only disappointment was the number of songs relative to the length of the show. Several of her biggest hits were omitted for several reasons: band spotlights, including a superfluous drum solo; four costume changes, all variations on the be shawled, ruffled black dresses that are her trademark; and an endless outro to "Edge of Seventeen" as she shook hands with the faithful and it started to feel a bit like we'd been listening to the song since we were 17 .
Since Nicks saw fit to include a spirited encore of Zeppelin's "Rock and Roll" from her new "Crystal Visions" compilation it seemed doubly odd to push aside the duets "Leather and Lace" and "Stop Draggin' My Heart Around," especially when she had such a gifted male touring partner on hand.If Nicks suffered from time management issues,
Isaak was the model of economy packing 16 songs into 70 minutes.Matinee-idol dreamy and with a pillow-soft falsetto at 50, Isaak and his whip - smart crew tightly maneuvered through the best of his sultry and rocking Elvis Presley-Roy Orbison-inspired repertoire of heartbreak and yearning."