Thanks to Niagara Fan who found this article about James Hunter in yesterday's edition of the St. Catharines (Ontario, Canada) Standard:
http://www.stcatharinesstandard.ca/Article....aspx?e=1475819Busy R&B singer finds the time to take in local colour Posted By Lori Littleton Standard Staff
British rhythm and blues singer/guitarist James Hunter admits he used to complain about not having enough work.
“Now I’m able to complain of having too much,” he said, in an e-mail interview from London. “I certainly know which I prefer.”
To get an idea of the Grammy-nominated performer’s level of occupation, you need only look at his touring schedule.
He’s starting a nine-day, seven-date Canadian mini-tour, which includes a stop at Brock University’s Sean O’Sullivan Theatre on March 19, followed by a three-date California jaunt. After that, he returns to Europe, playing steadily until the end of May, with stops in Germany and Monte Carlo. Hunter said what he enjoys most about being on the road is seeing new places and people.
“We (once) passed through a town called Likely in California. If you’d blinked you would’ve missed it, and there wasn’t a motor vehicle in the place that was less than 50 years old. It was like a little Cuba,” said Hunter, who lives in West London with his wife, Jacqueline. “The people of Likely might not think their town is all that amazing, but we did.
“There are lots of little pockets of the U.S. that are untouched by time (often in the west). America is no more reverential of its history than we are of ours, but the country is so huge that they can’t get around to destroying it at the same rate we do.”
The 46-year-old was born into a working-class family in Essex, U.K. His earliest musical influences came from a collection of 78s of 1950s rock and roll and R&B records given to him by his grandmother and older brother, Perry.
Hunter put together a band in the 1980s, and released three albums as Howlin’ Wilf and the Vee-Jays in the latter part of the decade, but his widespread success came about just recently.
In the early 1990s, Van Morrison was at a London newsstand when he was approached by a fan, who told him about this great R&B singer/guitarist. Morrison went to check out one of Hunter’s gigs in Wales and hired him as a backup singer for several years.
Hunter appeared on Morrison’s 1994 live album, A Night in San Francisco, as well as his 1995 studio disc, Days Like This.
In 1996, Ace Records released Hunter’s debut album, Believe What I Say, which featured guest appearances by Morrison and the late Doris Troy. His second disc, Kick It Around, was released in 2001.
Then, in 2003, two of Hunter’s friends created Go Records to release his third CD. That disc, People Gonna Talk, was released in March 2006, and it became Hunter’s first North American release and a bonafide hit.
The disc garnered a Grammy award nomination for best traditional blues album, and Hunter himself was nominated for best new/emerging artist at the annual Americana Music Awards in Nashville, Tenn. That success also prompted HepCat/Ace to rerelease his debut album in the U.S. in 2006.
Last June, Hunter issued his follow-up CD, The Hard Way, making it his second disc in a row to hit No. 1 on Billboard’s blues chart. Though he admits he felt pressure about following up People Gonna Talk, having that pressure was a good thing.
“Half of the songs on Hard Way were already written by the time the project was initiated and I had a short amount of time to come up with the other half,” he explained. “Apparently I work well under pressure, and the songs came out all right. I hate to write anything that’s too throwaway so the few weeks leading up to the recording were a bit hard on my rhyming muscles.
I don’t expect someone who works 40 hours a week in a factory to shed a tear on my behalf for this, but I’m British and we like complaining, OK?” Before achieving his recent success, Hunter said he frequently became fed up with being in the music business — “or rather, being on the periphery of it.” However, he never considered giving it up “for lack of an alternative.”
“This was reinforced for us (on) one occasion when we were booked for a corporate gig on a boat on the Thames (River in London),” he said. “There were some speeches before we went on, and the ‘hilarious’ anecdotes on offer illustrated that, for all their financial security, these people didn’t have the most enviable of lives.”
Though loathe to hand out advice to struggling musicians, Hunter said budding performers should keep plugging away if they really believe in what they’re doing.
“The way the business is, even if you’ve got all the talent in the world you still need someone with the vision to steer you the right way and a few bob (dollars) to throw at you,” he said. “The only way that’s going to happen is if you keep doing it.”
Concert note: Michael Chess, Centre for the Arts promotions assistant at Brock, and a big fan of Hunter’s, is challenging anyone who is waffling over whether they’re going to attend Hunter’s concert. If someone who purchases a ticket can honestly say they didn’t enjoy the performance, their money will be refunded, he has promised.
James Hunter, with Jon Amor, perform at the Sean O’Sullivan Theatre, at Brock University, on March 19, at 7:30 p.m. Tickets are $42 to $49 for adults, $20 for Brock students and $5 for high school students through eyeGO. Centre for the Arts members can bring a friend for free. Call 905-688-5550 ext. 3257 for tickets or information.